Supervision
My supervision focuses on compositing and visual effects decisions, image coherence, and shot-level problem solving within real post-production constraints.
The goal of supervision is not stylistic refinement. It is to ensure that decisions hold up when shots are evaluated by others, integrated into sequences, and subjected to production pressure.
This page shows work produced under my supervision across accredited post-secondary programs and independent training environments.
All shots are credited to their respective artists.
2025
Work produced under my supervision at Alpha Chromatica, founded July 2023.
I designed the curriculum, taught the program, and supervised the compositing work shown here. Supervision focused on decision clarity, integration consistency
.
Alpha Chromatica is a boutique visual effects training studio delivering small-cohort, production-oriented instruction with direct supervision and curriculum ownership.
All shots are credited to their respective artists.
2022
Work produced during my time as Advanced VFX Compositing Diploma Program
Lead
at Lost Boys Studios, an accredited post-secondary institution in British Columbia, Canada.
My contributions included curriculum design, instruction, and compositing supervision.
Supervision emphasized defensible decision-making under institutional and production-aligned assessment standards.
I converted the program from a studio-based Linux workflow to a linux-based remote workflow to support student delivery during Covid.
All shots are credited to their respective artists.
2020
Work produced within the Lost Boy’s Lighting (Katana & Maya) program.
at Lost Boys Studios, an accredited post-secondary institution in British Columbia, Canada.
I independently studied and developed the program’s technical foundation as per request of
Sony Pictures Imageworks, including asset creation and repurposing, Python scripting, Katana lighting templates, macros, and shader development across Arnold, V-Ray, and RenderMan.
In parallel, I taught Nuke compositing for the initial classes and converted the program from a studio-based Linux workflow to a Windows-based remote workflow to support student delivery during Covid.
All shots are credited to their respective artists.
2018
Work created during my time as Advanced VFX Compositing Diploma Program Lead
at Lost Boys Studios - School of Visual Effects.
(Accredited post-secondary institution, British Columbia, Canada).
I contributed through curriculum design, instruction, and compositing supervision.
All shots credited to their respective artists.
2014
Work created during my time as Advanced VFX Production Diploma Instructor
at Lost Boys Studios - School of Visual Effects.
(Accredited post-secondary institution, British Columbia, Canada).
I contributed through curriculum design, instruction in visual effects
fundamentals and techniques, and co-supervision.
This period established many of the supervisory standards later refined in subsequent programs.
All shots credited to their respective artists.
Supervision
My supervision focuses on compositing and visual effects decisions, image coherence, and shot-level problem solving within real post-production constraints.
The goal of supervision is not stylistic refinement. It is to ensure that decisions hold up when shots are evaluated by others, integrated into sequences, and subjected to production pressure.
This page shows work produced under my supervision across accredited post-secondary programs and independent training environments.
All shots are credited to their respective artists.
The goal of supervision is not stylistic refinement. It is to ensure that decisions hold up when shots are evaluated by others, integrated into sequences, and subjected to production pressure.
This page shows work produced under my supervision across accredited post-secondary programs and independent training environments.
All shots are credited to their respective artists.
Work produced under my supervision at Alpha Chromatica, founded July 2023.
I designed the curriculum, taught the program, and supervised the compositing work shown here. Supervision focused on decision clarity, integration consistency .
Alpha Chromatica is a boutique visual effects training studio delivering small-cohort, production-oriented instruction with direct supervision and curriculum ownership.
All shots are credited to their respective artists.
2022
Work produced during my time as Advanced VFX Compositing Diploma Program Lead
at Lost Boys Studios, an accredited post-secondary institution in British Columbia, Canada.
My contributions included curriculum design, instruction, and compositing supervision.
Supervision emphasized defensible decision-making under institutional and production-aligned assessment standards.
I converted the program from a studio-based Linux workflow to a linux-based remote workflow to support student delivery during Covid.
All shots are credited to their respective artists.
2020
Work produced within the Lost Boy’s Lighting (Katana & Maya) program.
at Lost Boys Studios, an accredited post-secondary institution in British Columbia, Canada.
I independently studied and developed the program’s technical foundation as per request of
Sony Pictures Imageworks, including asset creation and repurposing, Python scripting, Katana lighting templates, macros, and shader development across Arnold, V-Ray, and RenderMan.
In parallel, I taught Nuke compositing for the initial classes and converted the program from a studio-based Linux workflow to a Windows-based remote workflow to support student delivery during Covid.
All shots are credited to their respective artists.
2018
Work created during my time as Advanced VFX Compositing Diploma Program Lead
at Lost Boys Studios - School of Visual Effects.
(Accredited post-secondary institution, British Columbia, Canada).
I contributed through curriculum design, instruction, and compositing supervision.
All shots credited to their respective artists.
2014
Work created during my time as Advanced VFX Production Diploma Instructor
at Lost Boys Studios - School of Visual Effects.
(Accredited post-secondary institution, British Columbia, Canada).
I contributed through curriculum design, instruction in visual effects
fundamentals and techniques, and co-supervision.
This period established many of the supervisory standards later refined in subsequent programs.
All shots credited to their respective artists.